Haruspex, picking at culture's guts.

I am a 25 year old design student from Winnipeg, Manitoba. In some ways, I am also a retired archaeologist, but that takes some explaining. I'm into culture, not just trends and pop-culture, but the meat of culture(s). I'm obsessed with how they interact across the globe, how they are stratified, and what it means to be a social being in a culture that we all help to shape but don't really control. I'm also into fine art, illustration, sci-fi, games and other interactive media, post-apocalyptic futures, technology, bad-ass robots bristling with firepower... and long walks in the woods.
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Posts tagged painting
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fuckyeahelephants: thelovelybones: During the learning stage, the mahouts generally select the colors and determine when a painting is finished. They teach the elephants how to hold the brush, and a number of mahouts have also customized their paintbrushes, adding bamboo handles that are easier for the elephants to grip. Elephant painting of the northern, or Lampang school tends to be lyrical and expressive, characterized by broken brushwork, curvilinear forms, and bold, clear, primary colors. In the central Thai, or Ayutthaya school, elephants and mahouts prefer darker, cooler colors such as deep violet, black, and forest green, which they apply with broad, vigorous brushstrokes that sweep across the canvas from edge to edge. Elephants of the southern, or Phuket school tend toward saturated tertiary colors like mustard, plum, and magenta, mixed on the surface of the paper with broad, gentle, curvy brushstrokes. This is quite amazing.

fuckyeahelephants:

thelovelybones:

During the learning stage, the mahouts generally select the colors and determine when a painting is finished. They teach the elephants how to hold the brush, and a number of mahouts have also customized their paintbrushes, adding bamboo handles that are easier for the elephants to grip.

Elephant painting of the northern, or Lampang school tends to be lyrical and expressive, characterized by broken brushwork, curvilinear forms, and bold, clear, primary colors. In the central Thai, or Ayutthaya school, elephants and mahouts prefer darker, cooler colors such as deep violet, black, and forest green, which they apply with broad, vigorous brushstrokes that sweep across the canvas from edge to edge. Elephants of the southern, or Phuket school tend toward saturated tertiary colors like mustard, plum, and magenta, mixed on the surface of the paper with broad, gentle, curvy brushstrokes.

This is quite amazing.

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